It occurs to me that I don’t think–or write–in metaphors. Done well, and in moderation, I think they add so much to a book, but when I try to weave in a few attempts, they come off sounding forced. Probably because I’m forcing them. Even when I feel like I could really use a metaphor (or simile), I sit there, stuck, thinking to myself…’it’s like…?…. what ? what is it like??’ Obviously this is not conducive to the best comparisons.

I read a book recently–I can’t remember which one, and if I did, I would not mention it here–that actually used them too much. Every other paragraph seemed to have the phrase: ‘It was as if…’ Some comparisons were spot-on, others could have been dropped and would not have been missed.

Right now, I’m reading a book that I think does them stunningly well. I’m actually envious. ARCs of Private Arrangements, Sherry Thomas’ debut historical romance were being given out at Nationals. I begged a chapter mate to get me one and she did!! And I’m just thrilled. I’m not far along yet, but so far I love it! She has such a way with words and such a new take (for me anyway) on the historical. There are so many details–the reading seems almost indulgent to me. Personally, I love adding those little details, but I’ve been told that I get bogged down. So I’m trying to make my descriptions more vibrant and interesting. This book could be my manual.

Anyway…getting back to metaphors and similes… I read one in this book last night that I just thought was perfect. It never would have occurred to me, and it’s not the best image, but I think it’s wonderful. Judge for yourself:

“Now the defoliated willows looked rather like naked old spinsters, all thin and droopy.”

And there’s more…so much more.

I’m eagerly anticipating this truly beautiful read. If anyone has any tips on coming up with that perfect metaphor or simile, please share your secret!

Whew! Well after a marathon reading weekend, I just finished Stephenie Meyer’s Eclipse. I’m in awe, stunned, I absolutely LOVED it. Ms. Meyer, like Ms. Rowling, astounds me with her creativity, her storytelling ability, and her elegant ability to weave everything last little bit together to make a story a phenomenal whole.

I wonder if I’m at a disadvantage as an author by not having even a fraction of this sort of creativity. I struggle in coming up with character names. I usually have a good hook or a good starting point, and that’s something, but really, it’s just the tip of the iceberg. For me it’s like pulling teeth to brainstorm and imagine and then decide what should happen. I think that’s the main reason I write so very much (many, many pages). I can have a whole chapter (or more) done, and then decide that it’s not interesting enough, it doesn’t play into the rest of the story, or it’s just lifeless.

For me the writing is the least painful part of the whole process. I’m a pantser and only spend the bare minimum on an outline or notes for the book. Part of that is likely due to my shortage of creativity–if I could think up a whole story all at once, complete with subplots, turning points, and character arcs, maybe I’d be a plotter. I am, however, trying to work myself in that direction. An article in the latest RWR had the suggestion to try writing the synopsis first. I think I may give that a whirl when I start working on my next book. Already on my list for the next project are a repeat of Fast Draft (which will probably be more manageable with the kids in school) and a collage or some other form of visual stimulus. We shall see what works and what doesn’t.

Until then, go read Stephenie Meyer’s vampire love saga…